Fern  pitcher, Or:  Nothing Green Can Stay  Fern  mound is a touching and sad reminiscence of Dylan doubting Thomas childhood, as  thoroughly as a wistful lament on  whiz of mans saddest and  more or less inevitable woes:  the loss of innocence.  Thomas describes the  farm as if he were a  unripe  boy again, feeling and experiencing again the  aforementioned(prenominal) magical moments that  fill up his childhood.  The poem is  change with the imaginative fantasies of a little boy - he was the prince of the  apple towns, and he was  honour among wagons and famous among barns.  Such fanciful and  well-chosen memories pervaded Thomas mind as he wrote of those glorious days when  zippo could go  prostitute and there were no worries.  Thomas is so taken by and in love with Fern Hill that he speaks of it in a  apparitional way: the poem is filled with Christian  imaging.  He fundamentally compares the farm to the Garden of  paradise:  amongst the apple trees and holy streams, Fern Hill wa   s the maiden to Thomas Adam, young and innocent.  It would  expect that Thomas does not  jaw Fern Hill Eve because that would  accuse that it, too, would fall from grace eventually.  Rather, the farm is an unchanging symbol of innocence.

  throughout the poem, images of green,  florid, and white abound; Thomas uses these  closely vivid and  brotherly colors from his boyhood memories as symbols for various  weird aspects of a young child.  Green is the symbol for happiness - he was happy as the grass was green, and he joyously  compete about the fire, which was  as well green as grass.  Dylan Thomas and Robert frost bot   h identify youth with gold, evidently from t!   he presence of gold in nature, in young plants particularly.  More religious imagery is used in describing innocence itself, represented in this poem...                                        If you  want to get a full essay, order it on our website: 
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